Category Archives: peripheral networks

Spanish Civil War: Hughes and Hemingway

Posted on July 4, 2012 by wcd2

July 4, 2012 The Beinecke Library doesn’t have a great Hemingway Collection (most of his material is at the JFK Presidential Library in Boston), but I did find a rare photo, taken in Madrid in 1937, Hemingway with Langston Hughes, … Continue reading →

Posted in Africa, African-American literature, Arabic, Caribbean literature, collaboration, Cuba, Cuban poetry, Ethnicity, Global South, Islam, Latin America, Letters, Libraries, Modernist poetry, Newspapers, peripheral networks, Spanish, Translation, Twentieth century literature, world literature | Tagged Baltimore Afro-American, Beinecke Library, Cuba Libre, Ernest Hemingway, For Whom the Bells Tolls, General Franco's Moors, Gypsies, Havana, JFK Presidential Library, Langston Hughes, Michael Koltyov, Moors, Nicolas Guillen, Oklahoma, Spanish Civil War | 2 Comments

Oceanic Archives, Hong Kong University 2012

Posted on June 5, 2012 by wcd2

June 5, 2012 At least I’ve heard Elizabeth DeLoughrey before. She’s been working on this stuff for years, it’s always a pleaure to get a new installment — in this case, the ocean in danger of being reterritorialized by “seasteading” and … Continue reading →

Posted in Americas, Arabic, Chinese art, Christianity, Cities, collaboration, Creole, Diaspora, Ethnicity, Islam, mexico, Nineteenth-century literature, oceans, peripheral networks, print medium, Spanish, World religions | Tagged Elizabeth DeLoughrey, Evelyn Hu-DeHart, Herman Melville, James Ficter, Kendall Johnson, Keri Hulme, Manila, mexico city, Moby-Dick, New Zealand, Otto Heim, Phillipines, Puerta del sol, Samuel Enderby | Leave a comment

Jazz in Australia: Yusef Komunyakaa, Charlie Parker

Posted on May 22, 2012 by wcd2

May 22, 2012 I’m heading there later today, so I’ve been doing a bit of homework. Komunyakaa, of course: it’s so strange that I should be talking about his play adaptation of Gilgamesh at the University of Sydney, when there … Continue reading →

Posted in adaptation, Arts communities, Australia, collaboration, Comparative literature, contemporary poetry, Cuneiform, Educational institutions, epic, Ethnicity, Global South, Handwritten script, lyric, Media, Mesopotamia, Middle East, Music, Near Eastern poetry, peripheral networks, planet, print medium, Remediation, twentieth century art | Tagged " Charlie Parker, "Testimony, Austraiia, Australian Broadcasting Corporation, Dexter Gordon, February in Sydney, Gilgamesh, jazz poetry anthology, Louis Armstrong, Mandy Sayer, Melbourne International Festival of the Arts, Miles Davis, Sand Evans, Sydney Opera House, Thieves of Paradise, University of New Orleans, University of Sydney, Yusef Komunyakaa | 8 Comments

Black Pittsburgh

Posted on May 2, 2012 by wcd2

May 2, 2012 I’ve been here before, but it hit me again this time, coming into the city at night. This has got to be one of the most beautiful cities in the world. The river and the bridges all lit up — there are … Continue reading →

Posted in Africa, African-American literature, Arabic, Arts communities, collaboration, Contemporary Art, Educational institutions, Ethnicity, Islam, jazz, Media, Music, peripheral networks, Theater, twentieth century art, Twentieth century literature, Visual arts, world literature, World religions | Tagged Abdullan Ibn, Billy Strayhorn, Brenda Buxton, bridges, Buhaina, Duke Ellington, Earl Hines, Fate Marable, Hill Distict, King Oliver, Louis Armstrong, Mary Lou Wiliams, Nation of Islam, New Orleans, Paris, Pittsburgh, Pittsburgh Cycle, riverboats, Romare Beaden, Stanley Theater, The Piano Lesson, West Afraica | 21 Comments

Wallace Stevens, amigo of Cuban writers

Posted on April 18, 2012 by wcd2

April 18, 2012 Wallace Stevens and Cristina García? Not the most obvious pairing. Yet it is Stevens’s poems that remained on García’s desk throughout the writing of Dreaming in Cuban, giving the novel its epigraph. And for Stevens, Havana is … Continue reading →

Posted in Caribbean literature, Comparative literature, Cuba, Global South, Latin America, Letters, Modernist poetry, peripheral networks, Spanish, Translation, Twentieth century literature, Universities, world literature | Tagged " José Rodríguez Feo, "Academic Discourse in Havana", "Someone puts a Pineapple 'Together", Antillean, Cristina García, Dreaming in Cuban, El Sol, Hartford, Havana, Key West, Madrid, Secretaries of the Moon, Wallace Stevens | 2 Comments

Cristina Garcia’s Cuba

Posted on April 11, 2012 by wcd2

April 11, 2012 We had to move the book up from the initial lineup — several people wanted to write about it in their final papers. How did they hear about it? But I should have guessed something like this … Continue reading →

Posted in Caribbean literature, Contemporary novel, Creole, Ethnicity, Gender, Global South, Latin America, macro politics, Mayan mythology, mixed races, peripheral networks, Spanglish, Translation, Twentieth century literature, world literature | Tagged baseball, Bay of Pigs, Castro, ceiba tree, Celia del Pino, Cuba, El Líder, NIkolai Lenin, People's Court | 8 Comments

Edwidge Danticat: French, English, Creole

Posted on March 14, 2012 by wcd2

March 14, 2012 Her first languages were Creole and French. At 12, she spoke almost no English. At 26, her collection of short stories, Krik? Krak!, was nominated for the National Book Award. It’s mind-boggling to think of that trajectory … Continue reading →

Posted in African-American literature, Caribbean literature, collaboration, Comparative literature, Contemporary novel, Creole, Gender, Global South, Igbo, Latin America, Media, mixed races, peripheral networks, print medium, Radio, Remediation, Translation | Tagged Chinua Achebe, Creole, Edwidge Danticat, French, Haiti, Igbo language, Joseph Conrad, Krik? Krak!, literacy, mediascape, National Book Award, Paris Review, Polish, Radio Lumière | 82 Comments

The Global South: Miami 2012

Posted on March 7, 2012 by wcd2

March 7, 2012 From where we were sitting, we could see the different kinds of palm trees. Brian Breed, David Borman, Carolina Villalba, Izabella Zieba — fourth year, third year, and second year students in the English Department. There … Continue reading →

Posted in collaboration, Comparative literature, contemporary poetry, Global South, Islam, Israeli literature, Latin America, Middle East, Near Eastern poetry, Palestinian film, Palestinian literature, peripheral networks, Translation, Twentieth century literature, Universities, world literature | Tagged A. B. Yehoshua, Amos Oz, Anton Shammas, Columbia, Cuba, Daniella Carmi, David Grossman, Dominican Republic, Edwidge Danticat, Escobar, Faradis, Ghassan Kanafani, Haiti, Miami, Mutiny Hotel, Ranen Omer-Sherman, Sahar Khalifeh, Sayed Kashua, University of Miami, Yayha Yakhlif, Yehuda Amichai | 42 Comments

World, Globe, Planet: UCLA

Posted on February 29, 2012 by wcd2

February 29, 2012 I’ve always loved the big white buildings of Berkeley, but the brick buildings of UCLA (russet and ochre, so different from the plain red of the east coast) must be more habitable? Royce Hall, with its twin … Continue reading →

Posted in African-American literature, Afro-Asian alliances, collaboration, Comparative literature, Global South, globe, peripheral networks, planet, public universities, Twentieth century literature, world literature | Tagged Ahmed Sékou Touré, Bandung Conference, Berkeley, Cesar Vallerjo, Frantz Fanon, Kwame Nkrumah, Patrice Lumumba, Richard Wright, Sino-African alliance, UCLA, W B Yeats | 42 Comments