Tag Archives: Edwidge Danticat

The Cosmopolitan Vernacular

Posted on February 6, 2014 by wcd2

February 6, 2014 Not an oxymoron, but a genetic condition, as Sheldon Pollock argues, a local tongue globalized in its emergence and globalized again in its circulation. Is that why so many African-American authors began with dialect poetry? Not only … Continue reading →

Posted in African-American literature, Creole, Dialect, Indian Ocean, Vernacular | Tagged Amitav Ghosh, Claude McKay, Countee Cullen, Edwidge Danticat, Ezra Pound, Jamaica Kincaid, Langston Hughes, Lascars, Paul Laurence Dunbar, Pisan Cantos, Sea of Poppies, Sheldon Pollock | 1 Comment

Jack Kerouac, Edwidge Danticat: Joual and Creole

Posted on October 10, 2012 by wcd2

October 10, 2012 The name on his birth certificate is Jean Louis Kirouac – that’s the most common spelling of the name in Quebec, which is where his parents were from. His father, Léon-Alcide, continued to work as a printer … Continue reading →

Posted in African-American literature, Americas, Atlantic, Autobiography, Canada, Caribbean literature, Cities, Comparative literature, Contemporary novel, Creole, Diaspora, Ethnicity, Gender, Global South, Latin America, Libraries, Media, mexico, peripheral networks, print medium, Publishers, Radio, Twentieth century literature, Vernacular dialects | Tagged Creole, Edwidge Danticat, French, Gabriel Anctil, Haiti, Jack Kerouac, Joual, La Nuit est ma femme, Le Devoir, Lowell MA, New York Public Library, Québécois, Sur le chemin | 1 Comment

Edwidge Danticat: French, English, Creole

Posted on March 14, 2012 by wcd2

March 14, 2012 Her first languages were Creole and French. At 12, she spoke almost no English. At 26, her collection of short stories, Krik? Krak!, was nominated for the National Book Award. It’s mind-boggling to think of that trajectory … Continue reading →

Posted in African-American literature, Caribbean literature, collaboration, Comparative literature, Contemporary novel, Creole, Gender, Global South, Igbo, Latin America, Media, mixed races, peripheral networks, print medium, Radio, Remediation, Translation | Tagged Chinua Achebe, Creole, Edwidge Danticat, French, Haiti, Igbo language, Joseph Conrad, Krik? Krak!, literacy, mediascape, National Book Award, Paris Review, Polish, Radio Lumière | 82 Comments

The Global South: Miami 2012

Posted on March 7, 2012 by wcd2

March 7, 2012 From where we were sitting, we could see the different kinds of palm trees. Brian Breed, David Borman, Carolina Villalba, Izabella Zieba — fourth year, third year, and second year students in the English Department. There … Continue reading →

Posted in collaboration, Comparative literature, contemporary poetry, Global South, Islam, Israeli literature, Latin America, Middle East, Near Eastern poetry, Palestinian film, Palestinian literature, peripheral networks, Translation, Twentieth century literature, Universities, world literature | Tagged A. B. Yehoshua, Amos Oz, Anton Shammas, Columbia, Cuba, Daniella Carmi, David Grossman, Dominican Republic, Edwidge Danticat, Escobar, Faradis, Ghassan Kanafani, Haiti, Miami, Mutiny Hotel, Ranen Omer-Sherman, Sahar Khalifeh, Sayed Kashua, University of Miami, Yayha Yakhlif, Yehuda Amichai | 42 Comments