Category Archives: adaptation

Frank Stella, Agha Shahid Ali: Moby-Dick into ghazals

Posted on February 21, 2014 by wcd2

Feb 20, 2014 Stella’s “Fedallah” isn’t anything like Melville’s: not the “tiger-yellow” apparition “with one white tooth evilly protruding from its steel-like lips,” but a fluid, dancing figure, with some dark streaks and shadows, it’s true, but otherwise resplendent, impressive. … Continue reading →

Posted in abstract expressionism, adaptation, Arabic, Classics, Middle East, Modern art, Near Eastern poetry, Poetry, twentieth century art, Twentieth century literature | Tagged Agha Shahid Ali, Ain Ghazal Variations, Call Me Ishmael Tonight, Frank Stella, Melville, Moby-Dick, Protractor Series | Leave a comment

Suzan-Lori Parks, Diane Paulus, Deidre Murray : Three Women Collaborating

Posted on October 9, 2013 by wcd2

October 9, 2014 It won the 2012 Tony for the best musical revival, but the New York Times didn’t much like it, missing Gershwin’s full operatic scores in this “thinned-out” and “heavily-cut” version. Having no deep connection to the original, … Continue reading →

Posted in adaptation, African-American music, collaboration, Contemporary literature, jazz | Tagged Another Country, Bill Kirchner, Billy Strayhorn, Derek Walcott, Diane Paulus, Duke Ellington, Frank Sinatra, George Gershwin, Getting Mother's Body, Gil Evans, James Baldwin, Miles Davis, Nathaniel Hawthorne, Nelson Riddle, Paul Simon, Porgy and Bess, Suzan-Lori Parks, The Capeman, The Red Letter Plays, William Faulkner | Leave a comment

Gatsby Made Great

Posted on June 6, 2013 by wcd2

I’ve been trying to figure out why the ending of the recent Gatsby film felt so flat to me, and I think it’s because it lacks the animating pathos of the final confrontation of origin stories that drove the plot … Continue reading →

Posted in adaptation, Midwest, Twentieth century literature, Uncategorized | 2 Comments

Billie Holiday, Abel Meeropol: Black/Jewish Strange Fruit

Posted on July 25, 2012 by wcd2

July 25, 2012 Billie sang it, but the music and lyrics were Abel’s. He had first written it as a poem, after seeing the photograph of the lynching of Thomas Shipp and Abram Smith in Indiana on August 7, 1930. … Continue reading →

Posted in adaptation, Black-Jewish alliances, Cities, collaboration, Educational institutions, Ethnicity, Jewish literature, lyric, Media, Music, Newspapers, print medium, Publishers, Race, Racial violence, slavery, Twentieth century literature | Tagged " Café Society, "Strange Fruit, Abel Meeropol, Abram Smith, Billie Holiday, Columbia Records, Commodore, Ethel and Julius Rosenberg, Indiana, Lady Sings the Blues, Laura Duncan, Lewis Allan, Madison Square Garden, New York Teacher, Robert and Michael Meeropol, Sonny White, Thomas Shipp | 4 Comments

Street Scene: Langston Hughes, Kurt Weill, Elmer Rice

Posted on July 11, 2012 by wcd2

July 11, 2012 It started out as a play by Elmer Rice: a Broadway run of 601 shows, the Pulitzer Prize in 1929, the movie in 1931. Kurt Weill saw it in Berlin, both the play and the film, and … Continue reading →

Posted in adaptation, African-American literature, Arts communities, Broadway plays, Cities, collaboration, Dance, Ethnicity, film medium, Interdisciplinarity, jazz, lyric, Media, Modernist poetry, Music, Remediation, Theater, Twentieth century literature, world literature, YouTube videos | Tagged " Anna Sokolow, " Life Magazine, "Lonely House, "Moon-faced, Abbey Lincoln, Berlin, blues, Broadway, Elmer Rice, Harlem, jazz, Kurt Weill, Langston Hughes, Musical Digest, Pultizer Prize, Starry-Eyed, Street Scene | 9 Comments

Literature to Film, Sydney 2012

Posted on May 30, 2012 by wcd2

May 30, 2012 May 28, 2012 was the centenary of the birth of Patrick White. Many of us from the conference went down to a special screening of The Eye of the Storm, directed by Fred Schepisi, featuring Charlotte Rampling … Continue reading →

Posted in adaptation, architecture, Arts communities, Australia, Cities, collaboration, Comparative literature, Contemporary Art, Diaspora, Educational institutions, film festivals, film medium, Global South, Interdisciplinarity, Media, Modern art, museums, Music, Remediation, Rock music, Theater, Translation, twentieth century art, Twentieth century literature, Visual arts, world literature | Tagged Allen Ginsberg, Antony Waddington, Bob Dylan, Cate Blanchett, Charlotte Rampling, Chekhov, England, France, Fred Schepisi, Geoffrey Rush, Howl, I'm not There, James Franco, John Gaden, Judy Davis, MOMA, Patrick White, Russia, Seattle Film Festival, Sydney, Sydney Opera House, The Cherry Orchard, The Eye of the Storm, Vivid Lights Festival | 10 Comments

Jazz in Australia: Yusef Komunyakaa, Charlie Parker

Posted on May 22, 2012 by wcd2

May 22, 2012 I’m heading there later today, so I’ve been doing a bit of homework. Komunyakaa, of course: it’s so strange that I should be talking about his play adaptation of Gilgamesh at the University of Sydney, when there … Continue reading →

Posted in adaptation, Arts communities, Australia, collaboration, Comparative literature, contemporary poetry, Cuneiform, Educational institutions, epic, Ethnicity, Global South, Handwritten script, lyric, Media, Mesopotamia, Middle East, Music, Near Eastern poetry, peripheral networks, planet, print medium, Remediation, twentieth century art | Tagged " Charlie Parker, "Testimony, Austraiia, Australian Broadcasting Corporation, Dexter Gordon, February in Sydney, Gilgamesh, jazz poetry anthology, Louis Armstrong, Mandy Sayer, Melbourne International Festival of the Arts, Miles Davis, Sand Evans, Sydney Opera House, Thieves of Paradise, University of New Orleans, University of Sydney, Yusef Komunyakaa | 8 Comments

Yusef Komunyakaa and Chad Gracia, Gilgamesh

Posted on February 22, 2012 by wcd2

February 22, 2012 I’ve never given a talk at UCLA. Caltech, yes, in nearby Pasadena; also the Huntington Library. But never at the famed Royce Hall, 405 Hilgard Avenue. So I’m a bit anxious about tomorrow: a graduate student … Continue reading →

Posted in adaptation, Classics, collaboration, Comparative literature, contemporary poetry, Cuneiform, Dance, epic, Handwritten script, Mesopotamia, Near Eastern poetry, Remediation, Theater, Translation, Visual arts, world literature | Tagged Caltech, Chad Gracia, Cunieform, Enkidu, epic, Gilgamesh, Huntington Library, Ode to the Maggot, Our Oriental Heritage, Pasadena, Sumeria, UCLA, Will Durant, Yusef Komunyakaa | 67 Comments