Category Archives: Mesopotamia

Jazz in Australia: Yusef Komunyakaa, Charlie Parker

May 22, 2012 I’m heading there later today, so I’ve been doing a bit of homework. Komunyakaa, of course: it’s so strange that I should be talking about his play adaptation of Gilgamesh at the University of Sydney, when there … Continue reading

Posted in adaptation, Arts communities, Australia, collaboration, Comparative literature, contemporary poetry, Cuneiform, Educational institutions, epic, Ethnicity, Global South, Handwritten script, lyric, Media, Mesopotamia, Middle East, Music, Near Eastern poetry, peripheral networks, planet, print medium, Remediation, twentieth century art | Tagged , , , , , , , , , , , , , , , , , | 8 Comments

Iraq in Poetry: Brian Turner

April 4, 2012 Teaching his poetry was easy. There was never any doubt in my mind that it belonged in the course – along with Whitman on the Civil War; John Hersey on Hiroshima; Ha Jin on Korea; Michael Herr … Continue reading

Posted in Arabic, Classics, collaboration, Contemporary novel, contemporary poetry, Cuneiform, Educational institutions, epic, Handwritten script, Islam, lyric, Media, Mesopotamia, Middle East, Near Eastern poetry, Translation, Twentieth century literature, Universities, world literature | Tagged , , , , , , , , , , , , , , , , | 3 Comments

Yusef Komunyakaa and Chad Gracia, Gilgamesh

February 22, 2012 I’ve never given a talk at UCLA.  Caltech, yes, in nearby Pasadena; also the Huntington Library.   But never at the famed Royce Hall, 405 Hilgard Avenue. So I’m a bit anxious about tomorrow: a graduate student … Continue reading

Posted in adaptation, Classics, collaboration, Comparative literature, contemporary poetry, Cuneiform, Dance, epic, Handwritten script, Mesopotamia, Near Eastern poetry, Remediation, Theater, Translation, Visual arts, world literature | Tagged , , , , , , , , , , , , , | 67 Comments