Category Archives: Diaspora

Theresa Hak Kyung Cha: “Re Dis Appearing”

Posted on October 24, 2012 by wcd2

October 24, 2012 I’m getting ready for the World Humanities Forum, held next week in Busan, South Korea. So I’ve been thinking about Theresa Hak Kyung Cha, born in 1951 in Busan. She immigrated with her family to the … Continue reading →

Posted in Arts communities, Asian-American literature, Autobiography, Cities, Comparative literature, Contemporary Art, Diaspora, digital humanities, digital platforms, Ethnicity, film medium, Gender, Genre, Interdisciplinarity, Media, print medium, Publishers, twentieth century art, Twentieth century literature, Universities, Visual arts, World religions | Tagged "Re Dis Appearing", Berkeley, Busan, Christian Metz, Demeter, Dictee, France, Joan of Arc, Korea, Manchuria, New York, Persephone, Raymond Bellour, Theresa Hak Kyung Cha, Thierry Kuntzel, Tumblr, World Humanities Forum, Yu Guan Soon | 1 Comment

Soul food: Jack Kerouac, Charles Johnson

Posted on October 17, 2012 by wcd2

October 17, 2012 Japhy – Gary Snyder – has no interest in the Buddhism of Chinatown, he likes only the real thing, the Zen taught in Japan. But Kerouac likes everything, especially after a feast of dim sum at Nam … Continue reading →

Posted in African-American literature, Afro-Asian alliances, Buddhism, Catholicism, Christianity, Contemporary novel, Diaspora, Ethnicity, Food in literature, jazz, peripheral networks, Race, Religion, slavery, Twentieth century literature, World religions | Tagged Buddhism, Chinatown, Dharma Bums, Dr. King's Refrigerator, Dream, Gary Snyder, Jack Kerouac, Ma Rainey, Middle Passage, Oxherding Tale, Zen | 1 Comment

Jack Kerouac, Edwidge Danticat: Joual and Creole

Posted on October 10, 2012 by wcd2

October 10, 2012 The name on his birth certificate is Jean Louis Kirouac – that’s the most common spelling of the name in Quebec, which is where his parents were from. His father, Léon-Alcide, continued to work as a printer … Continue reading →

Posted in African-American literature, Americas, Atlantic, Autobiography, Canada, Caribbean literature, Cities, Comparative literature, Contemporary novel, Creole, Diaspora, Ethnicity, Gender, Global South, Latin America, Libraries, Media, mexico, peripheral networks, print medium, Publishers, Radio, Twentieth century literature, Vernacular dialects | Tagged Creole, Edwidge Danticat, French, Gabriel Anctil, Haiti, Jack Kerouac, Joual, La Nuit est ma femme, Le Devoir, Lowell MA, New York Public Library, Québécois, Sur le chemin | 1 Comment

Atlantic Sound: Caryl Phillips, Thomas Pynchon, Richard and Mimi Fariña

Posted on August 22, 2012 by wcd2

August 22, 2012 At the end of The Atlantic Sound, Caryl Phillips is in Israel, visiting a community of Black Hebrews, almost 2000 of them, African-Americans who emigrated from the United States. They have given up their U.S. citizenship, but … Continue reading →

Posted in African-American literature, African-American music, Asia, Atlantic, Black-Jewish alliances, Caribbean literature, collaboration, Creole, Diaspora, Educational institutions, Ethnicity, Mediterranean, Middle East, Music, oceans, peripheral networks, Remediation, slavery, Twentieth century literature, Universities, World history, world literature, YouTube videos | Tagged African diaspora, African-American, Atlantic Sound, Benny Profane, Black Hebrews, Bob Marley, Botticelli, Brazil, Brooklyn, Caryl Phillips, Celebrations for a Grey Day, Israel, Jamaica, Joan Baez, Laurie Anderson, Radiohead, Redemption Song, Richard and Mimi Fariña, Tekiyah, Thomas Pynchon, V, Venus, Vheissu | Leave a comment

Seamus Heaney: More Strange Fruit

Posted on August 8, 2012 by wcd2

August 8, 2012 This week I’ve been listening to many versions of “Strange Fruit”: Nina Simone, Jeff Buckley, Gil Evans and the Sting. I have to say: I still prefer Billie Holiday. But I had no idea Seamus Heaney also … Continue reading →

Posted in African-American literature, collaboration, Comparative literature, contemporary poetry, Diaspora, Gender, globe, Irish literature, lyric, Modernist poetry, Music, Race, Racial violence, Remediation, Rock music, slavery, Translation, twentieth century art, Twentieth century literature, World history, world literature, YouTube videos | Tagged " Jutland, " Seamus Heaney, "Punishment, "Strange Fruit, Billie Holiday, Denmark, Gil Evans, Jeff Buckley, Nina Simone, North (1975), Northern Ireland, the Sting | 6 Comments

All Saints Bookstore, Beijing

Posted on June 13, 2012 by wcd2

June 13, 2012 We were in Hong Kong on June 4, the anniversary of the 1989 Tiananmen Square crackdown. A candlelight vigil had been held in Victoria Park for the past 23 years. This year, 180,000 people showed up. There … Continue reading →

Posted in Asia, Boostores, China, Cities, collaboration, Comparative literature, Contemporary novel, Diaspora, Dissidents, Educational institutions, literary magazaines, macro politics, Media, Nobel Prize, print medium, public universities, Publishers, Translation, Twentieth century literature, Universities, world literature | Tagged All Saints Bookstore, Beijing, Beloved, candlelight vigil, Cormac McCarthy, Ernest Hemingway, Hong Kong, Liu Suli, Liu Zaiobo, Mark Twain, Nobel Prize, Peking University, Richard Powers, Shelley Fisher Fishkin, Steve Jobs, Strand, The Echo Maker, The Road, Thinkers Cafe, Tiananmen Square crackdown, Toni Morrison, Tsinghua University, Wansheng Bookstore, World Literature Institute, Zhao Baisheng, Zora Neale Hurston | 9 Comments

Oceanic Archives, Hong Kong University 2012

Posted on June 5, 2012 by wcd2

June 5, 2012 At least I’ve heard Elizabeth DeLoughrey before. She’s been working on this stuff for years, it’s always a pleaure to get a new installment — in this case, the ocean in danger of being reterritorialized by “seasteading” and … Continue reading →

Posted in Americas, Arabic, Chinese art, Christianity, Cities, collaboration, Creole, Diaspora, Ethnicity, Islam, mexico, Nineteenth-century literature, oceans, peripheral networks, print medium, Spanish, World religions | Tagged Elizabeth DeLoughrey, Evelyn Hu-DeHart, Herman Melville, James Ficter, Kendall Johnson, Keri Hulme, Manila, mexico city, Moby-Dick, New Zealand, Otto Heim, Phillipines, Puerta del sol, Samuel Enderby | Leave a comment

Literature to Film, Sydney 2012

Posted on May 30, 2012 by wcd2

May 30, 2012 May 28, 2012 was the centenary of the birth of Patrick White. Many of us from the conference went down to a special screening of The Eye of the Storm, directed by Fred Schepisi, featuring Charlotte Rampling … Continue reading →

Posted in adaptation, architecture, Arts communities, Australia, Cities, collaboration, Comparative literature, Contemporary Art, Diaspora, Educational institutions, film festivals, film medium, Global South, Interdisciplinarity, Media, Modern art, museums, Music, Remediation, Rock music, Theater, Translation, twentieth century art, Twentieth century literature, Visual arts, world literature | Tagged Allen Ginsberg, Antony Waddington, Bob Dylan, Cate Blanchett, Charlotte Rampling, Chekhov, England, France, Fred Schepisi, Geoffrey Rush, Howl, I'm not There, James Franco, John Gaden, Judy Davis, MOMA, Patrick White, Russia, Seattle Film Festival, Sydney, Sydney Opera House, The Cherry Orchard, The Eye of the Storm, Vivid Lights Festival | 10 Comments