Category Archives: Cities

Theresa Hak Kyung Cha: “Re Dis Appearing”

Posted on October 24, 2012 by wcd2

October 24, 2012 I’m getting ready for the World Humanities Forum, held next week in Busan, South Korea. So I’ve been thinking about Theresa Hak Kyung Cha, born in 1951 in Busan. She immigrated with her family to the … Continue reading →

Posted in Arts communities, Asian-American literature, Autobiography, Cities, Comparative literature, Contemporary Art, Diaspora, digital humanities, digital platforms, Ethnicity, film medium, Gender, Genre, Interdisciplinarity, Media, print medium, Publishers, twentieth century art, Twentieth century literature, Universities, Visual arts, World religions | Tagged "Re Dis Appearing", Berkeley, Busan, Christian Metz, Demeter, Dictee, France, Joan of Arc, Korea, Manchuria, New York, Persephone, Raymond Bellour, Theresa Hak Kyung Cha, Thierry Kuntzel, Tumblr, World Humanities Forum, Yu Guan Soon | 1 Comment

Jack Kerouac, Edwidge Danticat: Joual and Creole

Posted on October 10, 2012 by wcd2

October 10, 2012 The name on his birth certificate is Jean Louis Kirouac – that’s the most common spelling of the name in Quebec, which is where his parents were from. His father, Léon-Alcide, continued to work as a printer … Continue reading →

Posted in African-American literature, Americas, Atlantic, Autobiography, Canada, Caribbean literature, Cities, Comparative literature, Contemporary novel, Creole, Diaspora, Ethnicity, Gender, Global South, Latin America, Libraries, Media, mexico, peripheral networks, print medium, Publishers, Radio, Twentieth century literature, Vernacular dialects | Tagged Creole, Edwidge Danticat, French, Gabriel Anctil, Haiti, Jack Kerouac, Joual, La Nuit est ma femme, Le Devoir, Lowell MA, New York Public Library, Québécois, Sur le chemin | 1 Comment

Jack Kerouac: Mexico City Blues

Posted on October 3, 2012 by wcd2

October 3, 2012 “The immense triangular arc from New York to Mexico City to San Francisco”: Jack Kerouac writes in The Dharma Bums. After two publishers turned down On the Road in quick succession, Kerouac went to Mexico in a … Continue reading →

Posted in African-American music, Americas, Arts communities, Cities, Experimental poetry, Genre, Global South, jazz, Latin America, lyric, Media, mexico, Modernist poetry, Music, peripheral networks, Publishers, Spanish, Twentieth century literature, YouTube videos | Tagged Dharma Bums, Jack Kerouac, Jazz poetry, mexico city, New York, Paris Review, San Francisco, Ted Berrigan, William Burroughs | Leave a comment

Rene Marie and Thomas Pynchon: Dixie/Strange Fruit, Mason & Dixon

Posted on August 15, 2012 by wcd2

August 15, 2012 Thanks to Ron Fritts, I learn this week that Rene Marie also has a version of “Strange Fruit” – a mashup, joint with the Confederate anthem, “Dixie.” Is it meant to be ironic? Marie doesn’t think so. … Continue reading →

Posted in Africa, African-American literature, African-American music, Cities, collaboration, Ethnicity, Global South, Music, Race, Racial violence, Remediation, Remix, Science, slavery, World history, YouTube videos | Tagged "Strange Fruit, Cape Town, Charles Mason, Confederacy, Daniel Decatur Emmett, Dixie, Jeremiah Dixon, Knox County, mashup, Mason & Dixon, Mason-Dixon line, Ohio, Rene Marie, Ron Fritts, Snowden family, South Africa, Thomas Pynchon, transit of Venus, Wikipedia | Leave a comment

Billie Holiday, Abel Meeropol: Black/Jewish Strange Fruit

Posted on July 25, 2012 by wcd2

July 25, 2012 Billie sang it, but the music and lyrics were Abel’s. He had first written it as a poem, after seeing the photograph of the lynching of Thomas Shipp and Abram Smith in Indiana on August 7, 1930. … Continue reading →

Posted in adaptation, Black-Jewish alliances, Cities, collaboration, Educational institutions, Ethnicity, Jewish literature, lyric, Media, Music, Newspapers, print medium, Publishers, Race, Racial violence, slavery, Twentieth century literature | Tagged " Café Society, "Strange Fruit, Abel Meeropol, Abram Smith, Billie Holiday, Columbia Records, Commodore, Ethel and Julius Rosenberg, Indiana, Lady Sings the Blues, Laura Duncan, Lewis Allan, Madison Square Garden, New York Teacher, Robert and Michael Meeropol, Sonny White, Thomas Shipp | 4 Comments

Richard Wright, Count Basie, Paul Robeson: Collaboration that Happened and Collaboration that Didn’t

Posted on July 18, 2012 by wcd2

July 18, 2012 Richard Wright had always liked boxing, but what intrigued him most of all was probably the personality of Joe Louis – “King Joe” – the world heavyweight boxing champion for more than 11 years, defending his title … Continue reading →

Posted in Africa, African-American literature, Afro-Asian alliances, Asia, Cities, collaboration, Ethnicity, Global South, Interdisciplinarity, jazz, lyric, macro politics, Media, Music, Newspapers, peripheral networks, planet, Sports, Twentieth century literature, world literature | Tagged " FDR, "King Joe, Adam Clayton Powerll, Bandung Conference, boxing, Count Basie, Daily Worker, Ganges, Hitler, Joe Louis, Max Baer, Max Schmeling, Nazism, Niger, Nile, Okeh Records, Paul Robeson, Richard Wright, State Department, Yangtze, Yankee Stadium | 2 Comments

Street Scene: Langston Hughes, Kurt Weill, Elmer Rice

Posted on July 11, 2012 by wcd2

July 11, 2012 It started out as a play by Elmer Rice: a Broadway run of 601 shows, the Pulitzer Prize in 1929, the movie in 1931. Kurt Weill saw it in Berlin, both the play and the film, and … Continue reading →

Posted in adaptation, African-American literature, Arts communities, Broadway plays, Cities, collaboration, Dance, Ethnicity, film medium, Interdisciplinarity, jazz, lyric, Media, Modernist poetry, Music, Remediation, Theater, Twentieth century literature, world literature, YouTube videos | Tagged " Anna Sokolow, " Life Magazine, "Lonely House, "Moon-faced, Abbey Lincoln, Berlin, blues, Broadway, Elmer Rice, Harlem, jazz, Kurt Weill, Langston Hughes, Musical Digest, Pultizer Prize, Starry-Eyed, Street Scene | 9 Comments

Hemingway’s Four Wives

Posted on June 27, 2012 by wcd2

June 27, 2012 Hadley Richardson, Pauline Pfeiffer, Matha Gellhorn, Mary Welsh — I sometimes think of them as punctuation marks to the writing. And yet a good chunk of world history seems written into these marriages. Hadley was in Paris … Continue reading →

Posted in Americas, Caribbean literature, Cities, Cuba, Global South, Latin America, museums, Nobel Prize, Spanish, Twentieth century literature, world literature | Tagged Battle of Ebro, Chinese Revolution, Collier's Magazine, Cuba, Fascists, Finca Vigia, For Whom the Bell Tolls, Guardian, Harley Richardson, Havana, Hemingway, Key West, Martha Gellhorn, Mary Welsh, Paris, Pauline Pfeiffer, Republicans, Siege of Madrid, Spain, Spanish Civil War, The Face of War, The Old Man and the Sea. Evwen MacAskil, World War I | 12 Comments

All Saints Bookstore, Beijing

Posted on June 13, 2012 by wcd2

June 13, 2012 We were in Hong Kong on June 4, the anniversary of the 1989 Tiananmen Square crackdown. A candlelight vigil had been held in Victoria Park for the past 23 years. This year, 180,000 people showed up. There … Continue reading →

Posted in Asia, Boostores, China, Cities, collaboration, Comparative literature, Contemporary novel, Diaspora, Dissidents, Educational institutions, literary magazaines, macro politics, Media, Nobel Prize, print medium, public universities, Publishers, Translation, Twentieth century literature, Universities, world literature | Tagged All Saints Bookstore, Beijing, Beloved, candlelight vigil, Cormac McCarthy, Ernest Hemingway, Hong Kong, Liu Suli, Liu Zaiobo, Mark Twain, Nobel Prize, Peking University, Richard Powers, Shelley Fisher Fishkin, Steve Jobs, Strand, The Echo Maker, The Road, Thinkers Cafe, Tiananmen Square crackdown, Toni Morrison, Tsinghua University, Wansheng Bookstore, World Literature Institute, Zhao Baisheng, Zora Neale Hurston | 9 Comments

Oceanic Archives, Hong Kong University 2012

Posted on June 5, 2012 by wcd2

June 5, 2012 At least I’ve heard Elizabeth DeLoughrey before. She’s been working on this stuff for years, it’s always a pleaure to get a new installment — in this case, the ocean in danger of being reterritorialized by “seasteading” and … Continue reading →

Posted in Americas, Arabic, Chinese art, Christianity, Cities, collaboration, Creole, Diaspora, Ethnicity, Islam, mexico, Nineteenth-century literature, oceans, peripheral networks, print medium, Spanish, World religions | Tagged Elizabeth DeLoughrey, Evelyn Hu-DeHart, Herman Melville, James Ficter, Kendall Johnson, Keri Hulme, Manila, mexico city, Moby-Dick, New Zealand, Otto Heim, Phillipines, Puerta del sol, Samuel Enderby | Leave a comment