Category Archives: Ethnicity

Richard Wright, Count Basie, Paul Robeson: Collaboration that Happened and Collaboration that Didn’t

Posted on July 18, 2012 by wcd2

July 18, 2012 Richard Wright had always liked boxing, but what intrigued him most of all was probably the personality of Joe Louis – “King Joe” – the world heavyweight boxing champion for more than 11 years, defending his title … Continue reading →

Posted in Africa, African-American literature, Afro-Asian alliances, Asia, Cities, collaboration, Ethnicity, Global South, Interdisciplinarity, jazz, lyric, macro politics, Media, Music, Newspapers, peripheral networks, planet, Sports, Twentieth century literature, world literature | Tagged " FDR, "King Joe, Adam Clayton Powerll, Bandung Conference, boxing, Count Basie, Daily Worker, Ganges, Hitler, Joe Louis, Max Baer, Max Schmeling, Nazism, Niger, Nile, Okeh Records, Paul Robeson, Richard Wright, State Department, Yangtze, Yankee Stadium | 2 Comments

Street Scene: Langston Hughes, Kurt Weill, Elmer Rice

Posted on July 11, 2012 by wcd2

July 11, 2012 It started out as a play by Elmer Rice: a Broadway run of 601 shows, the Pulitzer Prize in 1929, the movie in 1931. Kurt Weill saw it in Berlin, both the play and the film, and … Continue reading →

Posted in adaptation, African-American literature, Arts communities, Broadway plays, Cities, collaboration, Dance, Ethnicity, film medium, Interdisciplinarity, jazz, lyric, Media, Modernist poetry, Music, Remediation, Theater, Twentieth century literature, world literature, YouTube videos | Tagged " Anna Sokolow, " Life Magazine, "Lonely House, "Moon-faced, Abbey Lincoln, Berlin, blues, Broadway, Elmer Rice, Harlem, jazz, Kurt Weill, Langston Hughes, Musical Digest, Pultizer Prize, Starry-Eyed, Street Scene | 9 Comments

Spanish Civil War: Hughes and Hemingway

Posted on July 4, 2012 by wcd2

July 4, 2012 The Beinecke Library doesn’t have a great Hemingway Collection (most of his material is at the JFK Presidential Library in Boston), but I did find a rare photo, taken in Madrid in 1937, Hemingway with Langston Hughes, … Continue reading →

Posted in Africa, African-American literature, Arabic, Caribbean literature, collaboration, Cuba, Cuban poetry, Ethnicity, Global South, Islam, Latin America, Letters, Libraries, Modernist poetry, Newspapers, peripheral networks, Spanish, Translation, Twentieth century literature, world literature | Tagged Baltimore Afro-American, Beinecke Library, Cuba Libre, Ernest Hemingway, For Whom the Bells Tolls, General Franco's Moors, Gypsies, Havana, JFK Presidential Library, Langston Hughes, Michael Koltyov, Moors, Nicolas Guillen, Oklahoma, Spanish Civil War | 2 Comments

Oceanic Archives, Hong Kong University 2012

Posted on June 5, 2012 by wcd2

June 5, 2012 At least I’ve heard Elizabeth DeLoughrey before. She’s been working on this stuff for years, it’s always a pleaure to get a new installment — in this case, the ocean in danger of being reterritorialized by “seasteading” and … Continue reading →

Posted in Americas, Arabic, Chinese art, Christianity, Cities, collaboration, Creole, Diaspora, Ethnicity, Islam, mexico, Nineteenth-century literature, oceans, peripheral networks, print medium, Spanish, World religions | Tagged Elizabeth DeLoughrey, Evelyn Hu-DeHart, Herman Melville, James Ficter, Kendall Johnson, Keri Hulme, Manila, mexico city, Moby-Dick, New Zealand, Otto Heim, Phillipines, Puerta del sol, Samuel Enderby | Leave a comment

Jazz in Australia: Yusef Komunyakaa, Charlie Parker

Posted on May 22, 2012 by wcd2

May 22, 2012 I’m heading there later today, so I’ve been doing a bit of homework. Komunyakaa, of course: it’s so strange that I should be talking about his play adaptation of Gilgamesh at the University of Sydney, when there … Continue reading →

Posted in adaptation, Arts communities, Australia, collaboration, Comparative literature, contemporary poetry, Cuneiform, Educational institutions, epic, Ethnicity, Global South, Handwritten script, lyric, Media, Mesopotamia, Middle East, Music, Near Eastern poetry, peripheral networks, planet, print medium, Remediation, twentieth century art | Tagged " Charlie Parker, "Testimony, Austraiia, Australian Broadcasting Corporation, Dexter Gordon, February in Sydney, Gilgamesh, jazz poetry anthology, Louis Armstrong, Mandy Sayer, Melbourne International Festival of the Arts, Miles Davis, Sand Evans, Sydney Opera House, Thieves of Paradise, University of New Orleans, University of Sydney, Yusef Komunyakaa | 8 Comments

Black Pittsburgh

Posted on May 2, 2012 by wcd2

May 2, 2012 I’ve been here before, but it hit me again this time, coming into the city at night. This has got to be one of the most beautiful cities in the world. The river and the bridges all lit up — there are … Continue reading →

Posted in Africa, African-American literature, Arabic, Arts communities, collaboration, Contemporary Art, Educational institutions, Ethnicity, Islam, jazz, Media, Music, peripheral networks, Theater, twentieth century art, Twentieth century literature, Visual arts, world literature, World religions | Tagged Abdullan Ibn, Billy Strayhorn, Brenda Buxton, bridges, Buhaina, Duke Ellington, Earl Hines, Fate Marable, Hill Distict, King Oliver, Louis Armstrong, Mary Lou Wiliams, Nation of Islam, New Orleans, Paris, Pittsburgh, Pittsburgh Cycle, riverboats, Romare Beaden, Stanley Theater, The Piano Lesson, West Afraica | 21 Comments

Cristina Garcia’s Cuba

Posted on April 11, 2012 by wcd2

April 11, 2012 We had to move the book up from the initial lineup — several people wanted to write about it in their final papers. How did they hear about it? But I should have guessed something like this … Continue reading →

Posted in Caribbean literature, Contemporary novel, Creole, Ethnicity, Gender, Global South, Latin America, macro politics, Mayan mythology, mixed races, peripheral networks, Spanglish, Translation, Twentieth century literature, world literature | Tagged baseball, Bay of Pigs, Castro, ceiba tree, Celia del Pino, Cuba, El Líder, NIkolai Lenin, People's Court | 8 Comments

Sudan: George Clooney, Dave Eggers, Valentino Achak Deng

Posted on March 21, 2012 by wcd2

March 21, 2012 Last Friday George Clooney was arrested protesting the new humanitarian violations in Sudan. The Satellite Sentinel Project, which he co-founded with John Prendergast in October 2010, collects digital images analyzed by the Harvard Humanitarian Initiative and used … Continue reading →

Posted in Africa, collaboration, Contemporary novel, Ethnicity, film medium, Global South, Islam, Media, print medium, world literature, YouTube videos | Tagged Arabs, Dave Eggers, George Clooney, Harriet Beecher Stowe, Harvard Humanitarian Initiative, John Prendergast, Josiah Henson, Middle East, Nuba Mountains, Omar al-Bashid, Satellite Sentinel Project, Sudan, Valentino Achak Deng, What is the What, YouTube | 6 Comments