Category Archives: slavery

Atlantic Sound: Caryl Phillips, Thomas Pynchon, Richard and Mimi Fariña

Posted on August 22, 2012 by wcd2

August 22, 2012 At the end of The Atlantic Sound, Caryl Phillips is in Israel, visiting a community of Black Hebrews, almost 2000 of them, African-Americans who emigrated from the United States. They have given up their U.S. citizenship, but … Continue reading →

Posted in African-American literature, African-American music, Asia, Atlantic, Black-Jewish alliances, Caribbean literature, collaboration, Creole, Diaspora, Educational institutions, Ethnicity, Mediterranean, Middle East, Music, oceans, peripheral networks, Remediation, slavery, Twentieth century literature, Universities, World history, world literature, YouTube videos | Tagged African diaspora, African-American, Atlantic Sound, Benny Profane, Black Hebrews, Bob Marley, Botticelli, Brazil, Brooklyn, Caryl Phillips, Celebrations for a Grey Day, Israel, Jamaica, Joan Baez, Laurie Anderson, Radiohead, Redemption Song, Richard and Mimi Fariña, Tekiyah, Thomas Pynchon, V, Venus, Vheissu | Leave a comment

Rene Marie and Thomas Pynchon: Dixie/Strange Fruit, Mason & Dixon

Posted on August 15, 2012 by wcd2

August 15, 2012 Thanks to Ron Fritts, I learn this week that Rene Marie also has a version of “Strange Fruit” – a mashup, joint with the Confederate anthem, “Dixie.” Is it meant to be ironic? Marie doesn’t think so. … Continue reading →

Posted in Africa, African-American literature, African-American music, Cities, collaboration, Ethnicity, Global South, Music, Race, Racial violence, Remediation, Remix, Science, slavery, World history, YouTube videos | Tagged "Strange Fruit, Cape Town, Charles Mason, Confederacy, Daniel Decatur Emmett, Dixie, Jeremiah Dixon, Knox County, mashup, Mason & Dixon, Mason-Dixon line, Ohio, Rene Marie, Ron Fritts, Snowden family, South Africa, Thomas Pynchon, transit of Venus, Wikipedia | Leave a comment

Seamus Heaney: More Strange Fruit

Posted on August 8, 2012 by wcd2

August 8, 2012 This week I’ve been listening to many versions of “Strange Fruit”: Nina Simone, Jeff Buckley, Gil Evans and the Sting. I have to say: I still prefer Billie Holiday. But I had no idea Seamus Heaney also … Continue reading →

Posted in African-American literature, collaboration, Comparative literature, contemporary poetry, Diaspora, Gender, globe, Irish literature, lyric, Modernist poetry, Music, Race, Racial violence, Remediation, Rock music, slavery, Translation, twentieth century art, Twentieth century literature, World history, world literature, YouTube videos | Tagged " Jutland, " Seamus Heaney, "Punishment, "Strange Fruit, Billie Holiday, Denmark, Gil Evans, Jeff Buckley, Nina Simone, North (1975), Northern Ireland, the Sting | 6 Comments

Billie Holiday, Abel Meeropol: Black/Jewish Strange Fruit

Posted on July 25, 2012 by wcd2

July 25, 2012 Billie sang it, but the music and lyrics were Abel’s. He had first written it as a poem, after seeing the photograph of the lynching of Thomas Shipp and Abram Smith in Indiana on August 7, 1930. … Continue reading →

Posted in adaptation, Black-Jewish alliances, Cities, collaboration, Educational institutions, Ethnicity, Jewish literature, lyric, Media, Music, Newspapers, print medium, Publishers, Race, Racial violence, slavery, Twentieth century literature | Tagged " Café Society, "Strange Fruit, Abel Meeropol, Abram Smith, Billie Holiday, Columbia Records, Commodore, Ethel and Julius Rosenberg, Indiana, Lady Sings the Blues, Laura Duncan, Lewis Allan, Madison Square Garden, New York Teacher, Robert and Michael Meeropol, Sonny White, Thomas Shipp | 4 Comments

African-Native-American: Langston Hughes, Toni Morrison

Posted on February 15, 2012 by wcd2

February 15, 2012 Langston Hughes. African-American, of course. Yet a not insignificant fact about his biography is that his both his maternal grandparents, Mary Patterson and Charles Henry Langston, were of mixed races: African-American, Native American, and European. Hughes did … Continue reading →

Posted in African-American literature, contemporary poetry, mixed races, Native-American literature, slavery, Twentieth century literature | Tagged A Mercy, African American history, Ardelia Wilis, Charles Henry Hughes, John Solomon Willis, Langston Hughes, Mary Patterson Hughes, Native American history, Simon Ortiz, Song of Solomon, Tiya Miles, Toni Morrison | 65 Comments