Tag Archives: Praisesong for the Widow
Stuart Hall and vernacular modernity
February 14, 2014 The passing of Stuart Hall makes me go back to his seminal essay, “Negotiating Caribbean Identities,” where he talks about “vernacular modernity” as the “modernity of the blues, of gospel music, of hybrid black music in its … Continue reading
Posted in African languages, African-American music, Americas, Auditory field, Caribbean literature, Contemporary novel, Igbo, indigenous communities, Music, Native American language
Tagged "Negotiating Caribbean Identities, Abenakis, Black Witch of Salem, I Tituba, Ibos, Jamaican maroons, Maine Woods, Maryse Condé, Miles Davis, Paule Marshall, Praisesong for the Widow, Stuart Hall, Thoreau
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